Friday, May 11, 2012

Adler Welcome Gallery Wins Chicago AIA Small Projects Award




The Clark Family Welcome Gallery at Adler Planetarium is the exciting pre-show experience to the planetarium's main event - the Sky Theater. To live up to that billing, Thomas Roszak Architecture designed the space to feel "other-worldly." "It reminds me of entering the Milky Way," said a juror. Aluminum tubing and polyester fabric were used to create a dramatic design, while being cost effective. The fabric was layered in alternating areas, creating darker and lighting slices, representing a "time slice" in outer space, along the pathway. The fabric was selected for its ability to reflect the gallery's LED lighting system while also absorbing light where mixed-media video is projected on the fabric walls. The team collaborated with experts in video, animation, sound and lighting for interactive exhibits with layered projected images, motion-detecting light sound effects, and unusual display technologies throughout the space.
See article at:
Chicago Architect Magazine

Friday, March 2, 2012

CS Interiors: An Otherworldly Welcome

MOODY BLUES Colored lighting sets the tone for
exploration at the Adler's new Welcome Gallery.

The Adler Planetarium has had folks stargazing since 1930, but when you enter its new Clark Family Welcome Gallery, you'll think the place just landed from a galaxy far, far away. Designed by Chicago architect Thomas Roszak, this anywhere-but-here space envelops visitors in a cocoon of fabric pulsing with colored light. A portal to the Grainger Sky Theatre, the otherworldly arena propels planetarium-goers away from the banality of the parking lot and primes their minds for the cosmological explorations ahead. Its voids and volumes expand and contract as one passes through - an experience meant to reflect the notion of space and time as a single phenomenon. "We researched a number of topics in cosmology and astronomy to find one we thought we could represent physically and spatially," says Roszak. "Ultimately, we used bands of fabric in alternating single and double layers to suggest slices of time."

Spun from a constellation of ellipsoids strung on a curved path, the Welcome Gallery seems to encourage people to wander, rather than make a beeline for the theatre. Roaming through it, visitors - willingly or not - play their own games with time and space. "We arranged the space so people would want to explore what's around each corner," notes the IIT adjunct professor and principal at Thomas Roszak Architecture. "It was all about generating a mood and creating a setting that takes you away from your everyday experiences." The question remaining is, are you ready to be transported?

Article from CS Interiors - Winter 2012
http://digital.modernluxury.com/publication/?i=96050&p=44

Monday, December 12, 2011

IIT Students Study Market Ready Alternates to Chicago Spire






Students from the School of Architecture at the Illinois Institute of Technology (IIT) worked with Adjunct Professor Thomas Roszak, as part of a comprehensive building design studio to study the current market solution for the old Chicago Spire site, at 400 N. Lake Shore Drive. The original project designed by Santiago Calatrava was to be 150 stories and 2000 feet tall, and contain 1200 condos, but was never built due to the real estate crisis. With new input from some key Chicago residential developers including Hines Development, Related Midwest, and Mesa Development, the students studied what is market ready in today’s housing climate.

It was determined that two towers 40-stories tall with approximately 400 rental units each may be feasible today. Construction costs were targeted at $160-180/gsf and land costs of $20 Million for each tower.

The students compared the Chicago Spire, which would have cost well over $1 Billion in construction costs and supported a land cost of an additional $150 Million, to their new projects which would cost approximately $150 Million per tower, including land. “It is amazing what a different world it is today as compared to 2007,” commented 4th year student Denys Petrenko, “and this study really puts into perspective what the future of residential development will look like in the years to come.”

Erik Shultz, another 4th year student noted that "the strong rental market makes this project feasible, and the fact that some banks can provide this level of financing to well established residential developers that can provide at least 25% of the equity needed, which in this case would be approximately $40 Million per tower." Erik and 13 of his fellow classmates, in their 4th and 5th year of their Bachelor of Architecture, analyzed hard and soft costs of similar projects. They also prepared plans, renderings, study models, animation, budgets, proformas, zoning analysis, code analysis, marketing analysis and detailed construction details.

A final architectural crit was done in front of some Chicago area professionals including architects, engineers, and contractors specializing in rental housing, that gave informative real world insight into the design of these residential towers and the future of high-rise housing in Chicago, at least in the short-term.

A learning experience for all...

Sunday, June 26, 2011

Thomas Roszak Architecture Designs New Welcome Gallery at the Adler Planetarium in Chicago


Completed in June 2011, the new Clark Family Welcome Gallery at Adler Planetarium, Chicago, IL may now be added to the growing list of unique and interesting projects of Thomas Roszak Architecture, LLC.  Through smart and collaborative design, Roszak led the team to meet project goals by creating a multifunctional space that provides a welcoming gathering area while also initiating an exciting pre-show experience necessary in optimizing the planetarium’s main event, the Sky Theater.  

In order to do so, Roszak’s team considered creative and innovating ideas, most notably their use of abstract materials and the creation of space that feels different and other-worldly.  Using aluminum tubing and polyester fabric constructed walls provided a cost effective alternative while creating a high-impact, and highly dramatic design.  Roszak’s team consulted with “fabricologists”, experts in the fabric industry, sorting through thousands of choices before discovering the perfect options.  The team didn’t settle until they found a fabric with precise, clean lines embodying the desire for a seamless look. The result: a smooth textured, pure white fabric with just the right amount of transparency used in both single and double layers.  Most importantly, the fabric had to have the ability to reflect the space’s LED lighting system, but also absorb light where mixed-media video is projected on the fabric walls.

While learning about their client and astronomy as a whole, traveling through “slices in time” became an apparent fundamental concept. Roszak’s design incorporates this theme by using the carefully selected fabric on walls and surfaces shaped to mimic travel through spacetime. Roszak’s used parametric modeling techniques to design the complex shapes and surfaces of the space. The fabric surrounds the area creating rich, spatial “events” in each section.  Roszak layered the fabric in alternating areas creating darker and lighter “slices” along the visitor’s pathway with each section representing a “time slice” in outer space.  Delineated slopes of cascading sheer planes add to the design representing the surface of the present that has recorded an astronomical event over time.  Even the design’s floorplan is laid out such that by shifting one’s position in the gallery, the perception of space changes as the voids separate, join, expand, and contract.  All of the design effects add to the visitor’s experience of walking from “slice” to “slice” feeling like they are traveling through time in space.

Also included in the space travel theme shown through Roszak’s plan are the many courses of the purposely “bent” shape of the gallery.  These paths entice the adventurous explorer to wander along “shortcuts” of the free-flowing space just as a real astronaut would.  The purpose of the twists and turns is two-fold since they also create opportunities for a collage of media learning displays.  Extensive collaboration with experts in video, animation, sound, and lighting inspired interactive exhibits with layered projected images, motion- detecting light and sound effects, and unusual display technologies around every corner.  Many years of experience and past projects have given Roszak a naturally positive attitude on collaboration, knowing how to bring together individuals who are experts in their fields, and working together to maximize a project’s full potential. Most importantly, Roszak listened to the client and made sure they were involved in every design stage.

Using architecture in a way to incorporate a client’s vision, even the most “out of this world” concepts, can be in the realm of the possible.  The architectural and media contributions to the Welcome Gallery immensely enhance guests’ overall experience at Adler Planetarium.  Thomas Roszak Architecture, LLC, is proud to have their architectural and design contributions aide in reaching Adler’s ultimate goal of creating an exciting and curiosity-evoking visit sure to create buzz and desire for guests to return for more learning and space exploration!


Please view more images here.